Oils on water

Oils on water
Oils on water, John Lyons

Oils on water

What I love
           about this detail
from a recent canvas
           is the way the colours
in the foreground
           appear to be floating
on water or on ice :
           it could be a pond
or a stretch of canal
           frozen over such as
on Thursday
           up by Ladbroke Grove
when I saw two swans
           that were wondering
where to go with ice
           all around them
and seemingly
           no way out

John Lyons

Residents only

Residents only

By night the supermoon
           and by day a fierce sun
burnishing the dry leaves
           of the copper beech

A whole year has passed
           for this moment in time
to return and it is as though
           in all that interval
nothing happened
           last year a spider hung
from a flimsy web
           stretching from a nook
in the ceiling
           to the skylight

I watched as it travelled
           back and forth
counting the tiny prey
           it had accrued
and then one day
           it was gone
all swept away
           and I wonder when
the next one will appear
           and by the bank
of the Union Canal close to
           Kensal Green Cemetery wall
a locked gate with a sign
           residents only

John Lyons

Swans on the Union Canal

Swans on the Union Canal

It’s after dark as I turn
           into the footpath alongside
the Grand Union Canal
           up by Ladbroke Grove

Across the other side
           of the canal runs
the boundary wall
           of Kensal Green cemetery
all quiet and peaceful
           there !

Then on the canal surface
           I notice five white swans
in a huddle and asleep
           their long necks totally relaxed
hanging down across their bodies
           deep into the water
as if they hadn’t a care
           in the world

John Lyons

The Cross – A North Kensington Tale

250px-Electric_Cinema_Notting_Hill_2009For the whole of the 1980s I lived in Ladbroke Grove, just up by Harrow Road and close to the Grand Union Canal. This was in the days before the catastrophe of gentrification. I was working at the time as a teacher in Holland Park School, and on Saturdays I would do my grocery shopping in the market at Portobello Road, often meeting pupils of mine who had Saturday jobs on the fruit and vegetable stalls. In the evenings or perhaps for a Saturday matinee, I might go to see a film at the Electric Cinema (pictured) which first opened in Portobello Road in 1910. Nowadays it’s a very smart place, but back then the seats were rickety and mice would be running between your feet as you sat and watched Bob Dylan and Sam Shepard in the crazy film, Reynaldo and Clara, which also featured Allen Ginsberg; or Elliot Gould playing Philip Marlowe in The Long Goodbye. But did I care?

I loved to ferret through the stalls looking for CDs or second-hand books, anything that took my fancy. It was there that I discovered two sensational CDs featuring Joe Arroyo, possibly Colombia’s greatest salsero, bought them for a couple of quid each. And before that, back in the days of vinyl, I bought four of John Lennon’s solo albums in a pop-up shop opposite Tesco, also for a couple of quid each. There was a family butcher’s in the Golborne Road where the meat and the service were always excellent; and I would sometimes go into the Cañada Blanch Spanish School at the very top of Portobello for lunch in the canteen there, where two of my Spanish friends taught: calamares a la romana, delicious! Above all, I loved the colour and the buzz on the streets and loved being part of that community. There were the Rastas smoking ganja on the corners, and the Spanish and the Morrocans and the Portuguese, and so many other nationalities, and everywhere heaved to the sound of Bob Marley. Get up, stand up, stand up for your rights!

Among the many characters in the area, and believe me there were many, there was a black man who used to carry a white cross. I would see him frequently in different parts of the borough but mostly in Ladbroke Grove, and on one occasion I even met him in the big supermarket up by the canal. He had put his cross down just behind one of the check-outs and was paying for his goods.

So the story below is actually a true story and it was published in my translation some years later in Managua, in the Saturday supplement of El Nuevo Diario along with the picture of a cross sculpted by the poet, Ernesto Cardenal. 


The Cross

ernesto crossLaminated white wood. An oak cross with white panels. The size of a man. A tall man, almost six foot six. A man with broad shoulders and a long neck. A man with short black hair. A black man, carrying a white cross. He says nothing as he walks along the street. Says nothing to anyone, but talks constantly to himself. Maybe he’s praying. Maybe not. He wears black trousers, worn at the knees. His trousers are tucked inside Wellington boots. His jacket is not black, but dark blue, the cuffs frayed. Under the jacket he wears a polo neck sweater, thin black wool. He goes up the street muttering under his breath and people gape at him as he goes. No one laughs in his face, but behind his back, people roll their eyes and a smile appears on their lips. An eccentric, carrying a huge white cross. Was a time in Virginia, a man could be crucified for less. The Klan would have told him what to do with that cross, that’s for sure. . . .