A bad marriage

        A bad marriage, John Lyons (40 x 40 cm, oil on canvas)

There are no abstracts
I paint what I see
sometimes what I see
in the paintings of others

There are no sardines
nor were there ever
but what looks like
some sort of seafood

though there is no blue
nor water no shade of sky
and the composition
is trapped within

a narrow palette
There is a continent
of white and a patch
of dark leather and yet

it amounts to nothing
that we can define
Words and colours
are poor relations

each one jostling
to out-express
the other

John Lyons

The painting illustrated is an unfaithful copy of a painting by William Scott (1913-1989) which can be viewed in Tate Britain.


Meredith Frampton – Marguerite Kelsey (1928)

Meredith Frampton 1894-1984 Presented by the Friends of the Tate Gallery 1982 http://www.tate.org.uk/art/work/T03415
Marguerite Kelsey (1928), oil on canvas

Marguerite Kelsey, a professional artist’s model in the 1920s and 1930s, was renowned for her gracefulness and ability to hold poses for a long time. Her dress was made by the artist’s mother, and the shoes were chosen and purchased by Frampton for this portrait.

The simple, short-sleeved pale tunic dress worn with low-heeled shoes and her straight hair were all essential elements of the fashionable garçonne style created by the couturiers Coco Chanel and Jean Patou from the mid-1920s.

The subject’s pose is deliberately artificial, as is the rendering of the magnolias in the basket and indeed that of all the furnishings. Light was, as for most artists, absolutely crucial to Frampton, and according to Marguerite Kelsey several sittings for this portrait were abandoned when the light was poor.

In reality, what Frampton captures here is a moment of transition between classical elements and modernism and the overall effect, enhanced by the beautifully smooth brushwork, is vaguely surreal.

The model with her quizzical expression, appears almost to be floating on the sofa like a version of Botticelli’s Venus, the sofa substituting for the seashell. The balance provided by the colours of the drapes and the tablecloth make this an utterly satisfying composition.

Worth a trip to Tate Modern just to see this stunning work of art!

Meredith Frampton (1994-1984) was born in St John’s Wood and was the only child of the sculptor George Frampton and his wife, the painter Christabel Cockerell. Educated at Westminster School, Frampton eventually studied art at the Royal Academy Schools. During the First World War, he served in the British Army on the Western Front with a field survey unit and also worked on the interpretation of aerial photographs. After the war he established himself as one of the most highly regarded British painters during the period.