Augusto Monterroso – a fable and a tale

Augusto-Monterroso
Augusto Monterroso (1921-2003)

One of the most delightful writers I met in Latin America was Augusto Monterroso. A Guatemalan, he lived for much of his life in Mexico, where he taught in the UNAM university. Before leaving London, I had been given the telephone number of a Nicaraguan poet, Ernesto Mejía Sánchez, and I called him as soon as I got to Mexico City. We agreed to meet one lunchtime at Sanborn’s café, which was where all the artists and writers usually met. At that time Mejía Sánchez was going through a difficult patch in his life, and the conversation was rather strained and dull until Augusto Monterroso turned up. He had with him copies of three of his published works and in each of them he wrote a very individual dedication to me. “I hate to burden you,” he said as he handed them to me. “But you can chuck them into the Atlantic when you fly back to London if you like.” Naturally, I held onto them, still have them today, and they are among my most prized possessions.

mont_dedicAugusto, was extremely warm and jovial and the conversation soon became filled with laughter and great stories and even managed to draw poor Mejía Sánchez out of himself. Monterroso’s writings tend to be short pieces, fables and short stories but always with a humorous and satirical slant. The Colombian Nobel Prize Winner, Gabriel García Márquez said of one of his works: “This book should be read with your hands in the air: its danger is based on its sly wisdom and the deadly beauty of its lack of seriousness”. With a sense of humour very much in tune with that of Julio Cortázar, it was no surprise that when the latter died in 1984, his apartment in Paris was ceded to Augusto Monterroso.

Years after that meeting in Mexico, I was asked by Index on Censorhip to translate a story by Monterroso, entitled “Mister Taylor”. This was a satirical tale about the export of shrunken Guatemalan heads to the American market where they had become fashion accessories. The tone, of course, was very much that of Jonathan Swift’s “A Modest Proposal”. In a subsequent book, Augusto touchingly singled out this publication with these words: “I’ve just received a copy of Index on Censorship from London where I story of mine, “Mister Taylor”, translated by John Lyons, has just appeared. Most surprising!” The circle was thus complete!


The frog who wanted to be a real frog

There was once a frog who wanted to be a real frog, and every day she struggled to be so. First she bought a mirror into which she gazed for hours hoping to see her longed-for authenticity. Sometimes she thought she’d found it and sometimes she did not, depending on the mood of that day or hour, until she grew tired of this and put the mirror away in a trunk.

Finally she thought that the only way to be sure of her own worth was through the opinion of others, and she began to do her hair and to dress up and undress (when she had no other option) to see if others approved of her and recognised that she was a real frog.

One day she noticed that what they most admired about her was her body, especially her legs, so she started to do squats and jumps in order to have to better legs, and she felt that everyone applauded her.

And so she continued to push herself harder and harder, and was willing to go to any length to get others to consider her to be a real frog, she even allowed her thighs to be ripped off for others to eat, and as the others devoured them she was still able to hear bitterly when they said, “Excellent frog. Tastes just like chicken.”


The mirror that could not sleep

There was once a hand mirror which when left alone with no one looking into it, felt absolutely dreadful, as though he didn’t exist, and perhaps he was right; but the other mirrors laughed at him, and when at night they were put away in the drawer of the dresser they slept soundly, oblivious to the neurotic’s worries.

Translations by John Lyons


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Beau Visage Belle Vie

Below is another of the stories I wrote in the early nineties. As I have explained before, at that time I was in the thrall of the American short story writers, Raymond Carver and Richard Ford. One of the things I discovered from reading their work was that nothing really had to happen in a story in order for it to work as a story: after all, they were not writing action stories but really meditations on life, on what it is to be human, to struggle, to fall in love, sometimes to lose that love, to fail and to come to terms with one’s failures, with the fact that life is not perfect, or at least we as human beings do not lead perfect lives but we can always be honest and try to do our best. The stories of these two writers were subtle and they often contained pearls of worldly wisdom drawn from observation and particularly in the case of Raymond Carver, from experience, some of it quite bitter. The bitterness, however, is always offset by the nobility of the story telling art.

No matter what means of expression we choose, be it drama, poetry, painting or fiction, art always rescues us, it always adds dignity to our lives and to our experiences, and this is because it always separates out something good in our lives, whether it is a bison drawn on a cave wall, or a simple refrain from a song that comes from the heart. Art is always from the heart. And we can fail in our art too, it can fall short of our own expectations, but it is always there, always something upon which we have focused our attention and which therefore has been salvaged from the endless drift of time. We see this in its most innocent form in the work of young children who at the school gate rush to show to a parent a painting or a sketch that they have done in class. Their pride in their production stems from the emotion of having made something of the moment, something true and something beautiful.

No worldly wisdom here below, I’m afraid, but I did my best at the time.


Beau Visage Belle Vie

ChicagoI was completing my final year at college in Chicago when my mother walked out on my father. The news came as no surprise to me, I have to admit. I had heard them quarrel throughout my teens and if anything, the surprising thing was that they managed to last as long as they did. I received a letter from my mother just before my exams started. The letter was posted in Dallas where she was now living with a man named Alvin who owned a string of donut shops. Finally, she said, I’ve met someone who appreciates me for what I am. I was happy for my mother but at the same time I knew that my father would find it difficult to get by on his own. My mother’s letter made no mention of him. It was as though he no longer existed. That part of her life was gone forever. Although she said that she loved me and promised to keep in touch, I suspected that this letter was in reality a fond farewell.

When I returned home to Helena, I found that my father was drinking again. He was still able to control it, but only just. He’d lost weight and looked older and more tired than before I had gone away and he was reluctant to talk about what had happened, about what had finally brought things to a head. These were difficult times for me. I loved my father. I knew he had his faults but that was no reason not to feel sympathy for him.

Having been away more or less for three years, I’d lost touch with almost all of my local friends in college and so most evenings I would stay in and talk with my father. Sometimes we would play chess. My father is a superb player and I have never once managed to beat him but he taught me a great deal. Often though he would not be in the mood for games and we would just sit and talk. Mainly he would talk and I would listen. Life was his theme. Life and its complexities and surprises. I expected him to be morose but in actual fact, despite the drink, he managed to retain a certain amount of optimism. He was still a good-looking man: tall and slim and with the sort of thick grey hair which gave him a certain aura. I felt sure that sooner or later he would find himself a divorcee or a widow if only he would make the effort and get out of the house a bit more often. He just needs time, I told myself. Events like these can damage a man’s confidence. It’s going to take him a while to get back on the road, to find his way again. The fact that he had also lost his job did not help. For as long as I can remember he had worked at the hydroelectric station. But the installation two years ago of new computerized equipment had made his job unnecessary. He was not unduly concerned. The terms of the settlement he’d reached with the electricity company were such that his financial security was more or less guaranteed. But work would have taken his mind off things, mixing with people would have forced him to make an effort to be sociable. I was looking for work myself as a newly qualified engineer, but in Montana there was little on offer. It occurred to me that I might have done better to remain in Chicago. Still, Chicago was always there and it could wait.

As I said, the nights when we didn’t play chess or merely sit in front of the television, my father would talk. He always was a good talker. The more whisky he took the more he opened up, and for the first time in my life I began to get a picture of the man. At first I used to enjoy our conversations, I felt I was learning something that would stand me in good stead. My father spoke with such assurance that everything appeared to have the ring of truth to it. Life, he would say, life is about coming to terms with loss. When you’re young you have so much, you gain so much, you grow so much, in so many ways. And you get to thinking that this is the pattern, that learning and growing and adding to your general stock of things is what it’s all about. Wrong! Dead wrong. That’s only a phase, an immature phase which sure we all have to go through. But it’s only a preparation for what’s to follow. And what follows it loss. I thought when he said this that he was referring to his own life, to the loss of my mother, but he made no mention of her. Life is learning to be a good loser. Life is knowing when you’re beat and not fighting battles you can never win. But after many evenings of him talking in this vein I began to recognise these sentiments for what they really were: an expression of his own helplessness. Even now I distrust any sentence that opens with the word life. The problem with those general statements is that they can give you a false sense of security, they can make you believe that there is somehow, somewhere, a perfect solution and this I simply do not buy. I’d look at my father topping up his glass of whisky or lighting another cigarette and think to myself: He’s just a lonely man, desperately talking to fill the void in his life. The game he’s playing is a game of make-believe.

When I was growing up, people would often comment on how much my father and I were alike. And we were very close. He would often take me fishing when I was old enough and he promised also to let me in on one of his hunting trips but this he never got around to. He used to go off for whole weekends with Jim Douglas and Phil Baines, two friends from work. Occasionally I would remind him of his promise: Sure thing, son, he’d say. One of these days, you can bet on it. But then something happened. Jim Baines got blinded in a shooting accident and though my father was not at all responsible for this, he took it very much to heart and the hunting trips stopped. I could see that physically I had a lot in common with my father, but hearing him night after night going on about life, I sure did hope that I would not end up in such a state.

One night the conversation we were having did turn to my mother. I can’t recall now whether it was me or him who brought up the subject of her departure. Whatever the case my father appeared to take it all very much in his stride. The trouble with your mother, he said, was that for years she wanted too little out of life. I know she blames me for that, but it really was none of my doing. I tried to encourage her but she always insisted that she was happy the way she was. The truth is, she allowed herself to be squeezed into a space that was so narrow it left her eventually with no room to breathe. And when this Alvin came along and offered to let her out, she just jumped at the chance. Then he paused and stared into the bottom of his whisky glass and rattled the ice. I just hope she’s happy, he added. That’s all. I don’t miss her. Fact is, I’m glad she’s gone. That may shock you, but then you young people are always so much easier to shock. I’m glad, I tell you. Perhaps now she’s getting what she’s wanted for all these years. What she maintained she was missing out on.

Then I met Glenda. Glenda was working as a beauty therapist at the Beau Visage Belle Vie parlour just off Main Street. She had just turned twenty-two and she was the prettiest thing I ever did get my hands on. About my height and with long brown hair and hazel eyes, I fell for her straightaway. She rented the small apartment above the parlour and I soon began to spend more and more time there with her. She was everything I ever wanted from a woman. She had spirit and a great sense of fun. I’m telling you, from the moment I first slept with her I felt like a man who had just struck gold.

What is this beauty therapy, my father asked me one day when I called in to see how he was doing. Just another term for getting you to look good, I told him. Glenda says that looking good makes you feel good and anything that makes you feel better than you felt before is a kind of therapy. He thought about this for a while and then he said: I’d like to meet her. Bring her over sometime? Introduce her, perhaps a lunch one Sunday. I couldn’t see the harm in that and so I promised him I would put it to her. Naturally she had no objection. Sure, she said, I’d like to see where you came from. But for several weeks I did nothing about it. There were interviews to go to—not that I was successful at any of them. And there were other things. And there was the simple fact that Glenda was so special, so precious to me, I didn’t feel like sharing her, not even with my own father. And Sundays. . . Sundays were for lying in bed all day with Glenda.

Then late one Saturday afternoon things finally came together. Glenda and I picked up some steaks and burgers and a few bottles of wine and drove over to my father’s place without warning. It was a warm summer’s day and the idea of a barbecue on the back patio really appealed to us. I found my father sitting in the living room with a bottle of whisky on the table and a glass in his hand. He was still in his dressing gown and he hadn’t shaved. But he was pleased to see us. While Glenda and I began to set things up on the patio he went off to shower and shave. By the time he appeared again the smell of charcoal and burning grease was thick in the air. I offered my father a glass of wine and we all toasted his health.

The evening turned out better than I had expected. Glenda and my father talked as though they’d known each other for ages. And my father seemed to be enjoying every minute of it. So tell me about this beauty therapy, he was asking her. Glenda immediately launched into a sales pitch. You should try it, she said. She was teasing him but I think that underneath that she did think a little therapy could do no harm. Come into the parlour one day and we’ll see what we can do for you. My father laughed. I hadn’t heard him laugh in ages, but he laughed talking to Glenda. I can’t see myself wearing a mudpack or any of that nonsense, he was saying to Glenda. And she was laughing too. Things have come on a long way since mudpacks, she told him. We have machines that can work wonders. She was playing it up and he was enjoying every moment of it. Or what about a manicure, she said, taking hold of one of his hands and holding it up to examine the cuticles. You’d be surprised what we have to deal with, she said. Farmers’ wives who’ve abused their skin for forty years and who suddenly come into a little money and want to repair the damage. I’m telling you straight, miracles is our business. Again my father laughed at the sales pitch Glenda was adopting. Then, for the first time in ages I thought of my mother. I wondered what she might be doing at that precise moment, whether she was at the rear of some palatial Dallas mansion, enjoying a rare steak with Alvin by her side, and laughing. I hoped she was. Life felt good and I wanted everyone to be happy.

© John Lyons, 1991

Bleeding Hearts – a foray into fiction

carverOver twenty years ago I began to write a collection of short stories called Bleeding Hearts. I took my inspiration from the short fiction I was reading at the time, in particular the brilliant stories by Raymond Carver (pictured) and Richard Ford. Written in a spare style, these narratives were about failure and loss, about life and lives falling apart, about dead-ends and dead-beat jobs, and in the case of Carver, hopeless addictions. They were human stories on a par with the best of Chekov and they dealt with the tragedies of everyday life which are every bit as profound as those of Sophocles or Shakespeare, God rest his soul.

I completed thirteen of my own stories, all set in the USA in places like Montana or Oregon. I knew nothing about these states other than what I’d picked up from the stories I was reading, but in a sense it didn’t matter: it was all theatre and the dramas could be staged anywhere, not excluding the moon, anywhere that human dreams and aspirations could come tumbling down, anywhere that love could slip through your fingers like a cool mountain stream, anywhere that heartache could burn through the soul like the royal waters of aqua regia.

I took the stories with me when I went to live in Central America for a couple of years in the early nineties, and I translated all thirteen into Spanish. A number of them were published in the Saturday supplement of the Sandinista newspaper, El Nuevo Diario. Shortly after, I ceased writing prose and concentrated on my poetry, which at the time I was writing and publishing in Spanish.

A dear old friend of mine read a handful of the stories a few months ago and when she’d finished she said: “Yes, all right, but when I get to the end of them I always want to know what happened next.” “Don’t we all,” I replied. She’s going to be even more frustrated if she reads today’s post.

Below is a fragment from a story which I never completed but which will convey some idea of how I was writing in those days. At some point in the future I will post a complete story, but for now this is it. Life is full of fresh beginnings and false starts and wrong trails, and it takes courage to press on to the end, and sometimes we just have to accept that we may never get there. So best sit back and enjoy the journey, one day at a time. . . .


Good Fortune

montanaI wake at dawn. Gayle is still fast asleep. My throat is dry. I reach for the glass of water on the bedside cabinet and drain it. My hands are shaking. I put down the glass. Gayle turns over and for a moment her eyes open. She looks at me and smiles. I lean across and kiss her on the forehead. She mutters something in a sleepy drawl which I cannot understand. I pull the covers up around her shoulders. You go back to sleep, I say. She smiles again and closes her eyes. I run my fingers through her grey hair. The hair is dry and brittle. Her soft skin is marked now with fine deep lines like a spider web of pain.

Years ago I used to think that we would never grow old, that somehow time would pass us by, we were so happy. Time did pass us by, but not in the way I imagined! This much I have learned: that nothing goes the way you think it will. When we were young, just starting out, we both believed that we would make it, that loving each other the way we did would be enough to get us through. We were both wrong. Gayle would say to me: I’ve got you, Luke, what more do I want? And I would say the same thing. We were that happy, and that naive. This is Montana, the Treasure State, and we haven’t a dollar to our name. We still have each other, still love each other. That’s something.

I slide out of bed and walk across to the window. I open the curtains a fraction and peer out. The sky is already a soft cerise. The world outside is silent but for the chorus of birds in the trees across the way. I know what I have to do. There is a sick feeling in my stomach, as though I have swallowed a great quantity of lead in the night. I let the curtain fall back. It’s going to be a fine day, a fine summer’s day, and for me, for me and Gayle, a make or break day. I skirt around the bed but before I leave the room I stop and stare at Gayle once more. In two months’ time she will be sixty. On the cabinet her side of the bed, her reading glasses are lying on top of a open copy of Fortune Magazine. Last night we read the story of a retired plumber in Milwaukee who made a million bucks in one year. After a lifetime attending to burst pipes during the winter months, he hit upon the idea of electrified lagging which would switch on automatically once the temperature dropped.

In the corner by the wardrobe is Gayle’s walking frame. Her hips are getting worse. . .