Behind every mask there is a portrait behind every portrait there is a mask sometimes the light blinds us to the darkness sometimes the darkness reveals the light Rembrandt knew this Rothko felt this we can see this in Vienna’s great museum if we want
Thank you Ben for reminding us that we are all composed of tiny snippets of other people of their words and their actions and their lives and their histories and their joys and tribulations including their deaths in sad scenarios of heroism and sacrifice
taken from the warring world of destruction recreated with tiny clippings from vintage American comic books in which you capture the hollowness of military bombast and all the wasted energies all the personal traumas the heartbreak and loneliness and the endless pity of war
Thank you for your unflinching words and images broadcast from the artistic trenches of your very own frontline and dispatched so as to combat and confound the arrogance and complacency of those in high places who would thoughtlessly send young innocents to their death in pointless and illegal wars that bring the realm of humanity to the very brink of twilight’s last gleaming and so God Bless
Catch Ben Turnbull’s brilliant and poignant exhibition at the Saatchi Gallery, King’s Road, from 11 April to 8 May 2017.
So Sunday morning I wake at six o’clock as per usual and peek out the window. Can see it’s a blustery day and I feel that the grey clouds slopping about overhead are ganging up on me, just waiting for me to step outside. Does not bode well! Still, intrepid as ever, it’s shower, shave, gallo pinto for breakfast and out the door, notebook in hand, optimism in my heart. Head down to the tracks and off to London town in search of Pollocks. Readers may recall my previous Sunday visit to Tate Britain. No Pollocks there, but plenty of other first rate objets d’art so not a wasted journey by any means. This Sunday, it’s Tate Modern, gotta be Pollocks there, surely. Get to Blackfriars on the Tube and as I hit the street all hell breaks loose up above, cats, dogs, anything the weather can throw at me, so I arrive at the old power station drenched to my Wilson socks, shake it off like a dog and enter the monumental arthouse, nip up to the second floor and ask one of the attendants: “Where’s the Pollocks?” She’s very sweet, about 5’ 2”, glasses, dark auburn hair, just a tad overweight, but that’s her business not mine, and the bearer of bad news: “Sorry, my love, they’re all in Tate Liverpool for a big exhibition.” My face is now a pool on the Tate Modern floor. “What? In Liverpool? O for God’s sake! I’ve come all this way!” “Sorry, my love. But they’ll be back sometime soon, second week of September, if I’m not mistaken.” “But I wanted to write a piece about them, I’ve got a blog.” She gives me a long, hard, charitable stare. “Sorry, ducks. Can’t be helped.”
Resilience, Battle of Britain spunk. I must have some of that somewhere. So, yeah, sure enough, I thank the girl for her kindness and consideration and traipse off down a few aisles, take a butcher’s at a few Dalis and Picassos, nothing to write home about and then I come across someone who just might be the ticket. Zhang Enli, never heard of him but his series of still lifes grabbed me by the . . . . Anyway, two and two together, cats and dogs, leaking roofs, why not buckets, memories of the Great Dartford Flood of 1968 when the branch of Woolworth’s was up to its ears and staff were obliged to enter the store (I kid you not) by boat, and I think “Eureka, I’ll write about Zhang Enli. Try to turn him into a household name. Do my bit at least.”
Born in Jilin, China in 1965, a teacher at the Arts & Design lnstitute of Donghua University, Zhang Enli currently lives and works in Shanghai. Doesn’t tell you much but the guy is good and he’s had exhibitions all over the shop.
Art is about focus, the mind homing in on something or some emotion before transferring that energy into an artistic product, notes on a stave, steps on a dance floor, words in the mouth of an actor, paint on a canvas, you get the idea, from the mind through the body into or onto whatever is the chosen medium. For a painter, Enli in this case, there are so many options, so many considerations, so many choices, oils, acrylics, board, canvas, grape stems, representational or abstracted, it’s always ‘make your mind up’ time. Art is mind on matter, even if that matter is the thin air fattened by a few Beethoven chords. Long and the short is that our friend Zhang has a technique and an eye that Pablo would have been proud of. Word of warning: No good admiring it on a computer screen, or worse still a crappy iPad. You gotta go and see for yourself the delicacy of the brushwork, the subtlety of the colours, the perfection of the composition. It raises the humble bucket into an icon, but the icon is dedicated to our humanity, to the essential ordinariness of all of us, our common bond in the occasionally very damp and gloomy human condition. Art is elevation. It makes us feel good and alive, and it is not a luxury, it is oxygen to our soul and any attack on the arts, by reducing curriculum time in schools, or failing to fund local arts, national arts, whatever, is an attack on the species. Forget global warming, the battle for the survival of the human race is an artistic battle. Still, that’s enough from me on my hobbyhorse. Uncle Toby would be proud of me, de gustibus non est disputandum. . . and so on and so forth. Get along to the gallery and get a load of it for yourselves.
Meanwhile, busy busy busy. It’s still chucking it down outside when I head back to Blackfriars and I’m sitting on the train bound for Denmark Hill when the blog editor comes on the mobile blower to say we’ve had another sweet comment on Jonah and Anna-Belle, our running soap, from dear old Molly Rosenberg. She’s such a darling, melts my heart every time. A ray of sunshine on a godawful day!
Note to myself: must get more sleep and slow down!