What we talk about when we talk about love

CaptainI mentioned the American short story writer, Raymond Carver in an earlier post. The title of one of his stories, “What we talk about when we talk about love”, has always stayed in my mind. Most of Carver’s stories talk about love, and in this particular story the examples of love all appear to be dysfunctional, raddled by drink. The love I witnessed between my parents was quite the opposite and it has always been for me exactly what I talk about when I talk about love.

An example of this love can be glimpsed in an extract from a letter my father wrote to my mother early on in their marriage, but the feelings it expresses were reciprocal and never diminished, never dated. My parents were not what I would call outwardly sentimental in their devotion to each other, they were simply devoted. There was always humour, and always love.

The context of the letter is as follows: in 1946, my father, then a Captain in the Royal Artillery, found himself posted to Egypt. He’d married my mother in Belfast in 1944, and my oldest sister, Annette, had just been born. Omitted from the letter is the substance of my father’s meeting with the Colonel he mentions: this was to discuss his future intentions now that the War was over, and whether he would remain in the Army.


AEC 48 Canal Sth Dist.
Fayid. M.E.F
7-4-46

My dearest,

Yesterday I went to Cairo. It was an awfully hot day, and I sweated blood. First I went to BTE. I saw the Colonel. . . .

[. . . ] I had lunch and went for your shoes. Meech, the chap in my tent and I searched I don’t know how many shops. I couldn’t find the exact copy, tho’ I could have had them made for £4. However, I thought that you didn’t necessarily want white, as in the picture, but that type. And I thought, pure white would get dirty (practical eh?) so I would buy you a pair you could wear with anything, and would look smart as long as you had them. I think they’re lovely, and I saw nothing like them in any of the shops I called at. The same shoes would be hard to find in England, and be quite expensive. They cost £3-7-6! So they are not a cheap pair. They have cork inside, so they should be very comfortable. Tomorrow I will have them sewn up. I also have something else for you —— something of my own —– I didn’t buy it, so don’t expect anything like that. It’s something special. Not very good, but it’s what it means. You’ll understand, you’re like that. And I love you very much, my dearest —- adore you. I think you’re the most beautiful adorable girl in the world. That’s what my present depends on. It isn’t good but it comes from me as a token of my love, my devotion, and a tribute to your beauty, darling Marie.

How are you feeling, and how is the darling baby? Do write to me soon, darling, only a line. Because it means so much to me to hear from ‘you’. Oh if you knew how much I love you darling. But I think you know a little about it. You are my whole life, my dearest.

God bless you, my darling love.

Your own devoted Bill
xxxxxx

Bleeding Hearts – a foray into fiction

carverOver twenty years ago I began to write a collection of short stories called Bleeding Hearts. I took my inspiration from the short fiction I was reading at the time, in particular the brilliant stories by Raymond Carver (pictured) and Richard Ford. Written in a spare style, these narratives were about failure and loss, about life and lives falling apart, about dead-ends and dead-beat jobs, and in the case of Carver, hopeless addictions. They were human stories on a par with the best of Chekov and they dealt with the tragedies of everyday life which are every bit as profound as those of Sophocles or Shakespeare, God rest his soul.

I completed thirteen of my own stories, all set in the USA in places like Montana or Oregon. I knew nothing about these states other than what I’d picked up from the stories I was reading, but in a sense it didn’t matter: it was all theatre and the dramas could be staged anywhere, not excluding the moon, anywhere that human dreams and aspirations could come tumbling down, anywhere that love could slip through your fingers like a cool mountain stream, anywhere that heartache could burn through the soul like the royal waters of aqua regia.

I took the stories with me when I went to live in Central America for a couple of years in the early nineties, and I translated all thirteen into Spanish. A number of them were published in the Saturday supplement of the Sandinista newspaper, El Nuevo Diario. Shortly after, I ceased writing prose and concentrated on my poetry, which at the time I was writing and publishing in Spanish.

A dear old friend of mine read a handful of the stories a few months ago and when she’d finished she said: “Yes, all right, but when I get to the end of them I always want to know what happened next.” “Don’t we all,” I replied. She’s going to be even more frustrated if she reads today’s post.

Below is a fragment from a story which I never completed but which will convey some idea of how I was writing in those days. At some point in the future I will post a complete story, but for now this is it. Life is full of fresh beginnings and false starts and wrong trails, and it takes courage to press on to the end, and sometimes we just have to accept that we may never get there. So best sit back and enjoy the journey, one day at a time. . . .


Good Fortune

montanaI wake at dawn. Gayle is still fast asleep. My throat is dry. I reach for the glass of water on the bedside cabinet and drain it. My hands are shaking. I put down the glass. Gayle turns over and for a moment her eyes open. She looks at me and smiles. I lean across and kiss her on the forehead. She mutters something in a sleepy drawl which I cannot understand. I pull the covers up around her shoulders. You go back to sleep, I say. She smiles again and closes her eyes. I run my fingers through her grey hair. The hair is dry and brittle. Her soft skin is marked now with fine deep lines like a spider web of pain.

Years ago I used to think that we would never grow old, that somehow time would pass us by, we were so happy. Time did pass us by, but not in the way I imagined! This much I have learned: that nothing goes the way you think it will. When we were young, just starting out, we both believed that we would make it, that loving each other the way we did would be enough to get us through. We were both wrong. Gayle would say to me: I’ve got you, Luke, what more do I want? And I would say the same thing. We were that happy, and that naive. This is Montana, the Treasure State, and we haven’t a dollar to our name. We still have each other, still love each other. That’s something.

I slide out of bed and walk across to the window. I open the curtains a fraction and peer out. The sky is already a soft cerise. The world outside is silent but for the chorus of birds in the trees across the way. I know what I have to do. There is a sick feeling in my stomach, as though I have swallowed a great quantity of lead in the night. I let the curtain fall back. It’s going to be a fine day, a fine summer’s day, and for me, for me and Gayle, a make or break day. I skirt around the bed but before I leave the room I stop and stare at Gayle once more. In two months’ time she will be sixty. On the cabinet her side of the bed, her reading glasses are lying on top of a open copy of Fortune Magazine. Last night we read the story of a retired plumber in Milwaukee who made a million bucks in one year. After a lifetime attending to burst pipes during the winter months, he hit upon the idea of electrified lagging which would switch on automatically once the temperature dropped.

In the corner by the wardrobe is Gayle’s walking frame. Her hips are getting worse. . .