Perros-Guirec, 1966

Perros-Guirec

Perros-Guirec, 1966

And so the remains of memory
           the rabbits fed on wheat husks
mackerel fished
           throughout the summer
to provide for the winter
           paddling out to the island
in the kayak
           we had built in the garage

soaking up the sun
           on those endless innocent days
the first taste of conger eel
           the first taste of wine
the first taste of a girl’s lips
           an inkling of what love might be
in the years to come
           the pleasure and the pain

John Lyons

John Cage does painting

mustard wash
Mustard, John Lyons (oil on canvas)

John Cage does painting

Contemplate in silence
           a rectangular canvas
washed in mustard yellow
           there is nothing there
but the surface
           and the dimensions
and a few imperceptible
           flaws in the fabric
nothing to distract the eye
           no composition
nor any relationships
           other than with the space
crowded around
           the four sides
of this object
           of artistic intention

Make of it
           what you will
it took almost a lifetime
           to complete
Make of that
           what you will

John Lyons

 

Enigma of the imagination

two figures
Two figures, John Lyons (40 x 40 cm, oil on canvas)

Enigma of the imagination

From a blank canvas
           two ghostly figures emerge
nameless
           faceless —
we know nothing
           of where they’re coming from
know nothing
           of where they’re heading

Heaven and earth appear to be aligned
           but what is
this couple’s relationship
           and what would they say
if they had words to tell ?
           Brushed in ochre
shrouded in space
           surrounded by silence
they are an enigma
           of the imagination

John Lyons


Revised

Mysterious space

Mysterious space

The vastness of it
           the silence that occupies it
and yet there’s nanospace
           the emptiness of it
the whiteness of it
           the noise that fills it
the measurement of it
           the distance between objects
present in it
           the relationships between
those who inhabit it
           the blank page or canvas
the soundless concert hall
           dancers at rest

The Pequod sailing the South Seas
           the white whale lost in it
Ahab too
           the sperm oil that illuminated
the darkness of it
           Samuel Enderby and General Wolfe
asleep in a Greenwich crypt
           our lives an interval in it
our love a moment in it
           our hearts lost in it

John Lyons

August days

August days

The fading light of August days
           dipping gradually into September
when some but not all things
           fall apart

Foxes know it
           you can see it in their eyes
as they look longingly
           at the gardens that will soon
be stripped to the bone :
           on shed roofs they laze
soaking up the last rays
           of the summer sun

There are roses in bloom
           the piecemeal beauty
of their petals still intact :
           and so gingerly 
down by the back fence
           I begin to pick blackberries
the plump succulent flesh
           occasionally bursting
under the slightest pressure
           such a delicate operation
and then a thorn
           pierces my forefinger
drawing thick globules of blood
           that instantly blend
with the stains
           from the crushed fruit

The frailty of it all
           year after year
the rise and fall of beauty :
           she had it in her eyes
in the soft smooth skin
           the graceful gestures
of her hands
           her dancer’s feet
in the breadth of her smile
           and so we pray
for the resurrection
           of the body

John Lyons


Revised from the earlier post

The wheel of art

bouquet

 

The wheel of art

who made the leap
           from hunting gathering
to hand prints
           bison and antelopes
on the cave wall
           and Jackson Pollock
scouring a white canvas
           prowling back and forth
waiting to pounce
           to lunge at the surface
in stabbing motions
           to open wounds
that drip
           with colour

John Lyons

 

Intelligence is energy

David by Michelangelo
Michelangelo’s David

Intelligence is energy

I make no claims
           other than to say
that intelligence is energy
           and it manifests itself
for better or worse
           in every realm of art

the king is a thing
           that Shakespeare moves
around a stage
           before our eyes
and in our head
           painting too
is poetry
           and poets paint
composers offer us
           their soundscapes

out of Carrara marble
           using hammer and chisel
and the energy
           of his intelligence
Michelangelo extracted
           his David which now exists
in an active universe
           eternally bent on creation

John Lyons

Memories arrested in space

tray2
Tray, John Lyons (oil on plastic)

Memories arrested in space

Paint that captures
           the shape of gestures
memories arrested in space
           sinuous as the body is curved
And he thinks too
           of the unbound energies
they expended
           and of the shapes
that their bodies made
           when they came together

the arc of a breast
           a mouth agape
the slope of a thigh
           or an angled elbow
Form and the absence of it
           light and the absence of it
colour and the absence of it
           love and the absence of it
and under a wrathful sky
           their union and the absence of it

John Lyons

Gertrude Stein – a portrait

gertrude stein
Gertrude Stein, John Lyons (oil on canvas)

Gertrude Stein – a portrait

Neatly folded napkins
           and freshly cut roses
in a cut glass vase
           a long oak table
guests to populate it :
           amid the wealth of words
silences cultivated
           in every nook and cranny

Alice and her embroidery
           Gertrude with hers
a carafe of red wine
           sparkling silverware
shining porcelain 
           At the window
heavy drapes
           to keep out the dust
and for the world
           to know its place

Sometimes always
           occasionally
loving glances
           often exchanged
time under orders
           and life
on its best behaviour :
           a dog with a name
a stern smile
           the making of history
word by word
           line by line

John Lyons


Revised