Keeping it simple

red moon
Red moon, John Lyons (oil on wood)

Keeping it simple

Simple I said
whenever you love me
it goes straight to the heart

I need all things
less than love

I want all things
less than love

material physical love
your finger brushing my lips
gently

your eyes
looking lovingly
into mine

all other purposes
are less than love

there is
no greater reason
no greater sense
than love

John Lyons

Good care of souls

city fragment.jpg
City fragment, John Lyons (oil on canvas)

Good care of souls

Good care of souls
           in the hands
of the poet
           in the words

Let us terminate
           our season in hell
and go forth
           in joy and charity

Let us dispel
           those mists
that keep us
           from seeing

what is
           before our eyes
In order to be one
           we must first separate

so as to conjoin
           in love’s singularity
A cloud
           has enveloped my days

but with a vengeance
           the sun will return
and with it spring
           with all its blossom

and blithe airs
           and you will shine
in all your inexhaustible
           beauty

John Lyons

Why would I not ?

GPS
Life script, John Lyons (20 x 20 cm, oil on canvas)

Why would I not ?

Of course I take it personally
           whether you love me or not
whether you betray me or not
           whether you fail me
or fail to understand me or not
           I bear the soul of a private man
ploughing by day the furrows
           of city streets in which squirrels
run rampant and gold is amassed
           in steely towers of greed

So I live and die for words
           for unsolicited acts of tenderness
for the beauty of light on water
           for the delicacy of moonlight
that pierces the night sky
           Of course I take our lives seriously
your life and mine : and tell me
           why would I not ?

John Lyons

 

The primeval sea

sea of colour
Sea of colour, John Lyons (40 x 40 cm, oil on canvas)

The primeval sea

The primeval sea
           awash with colour
the underbelly
           of creation
whence all life
           whence all love

See how the light
           shimmers
on the shifting surface
           restless ocean
restless life
           colours that coalesce
wave upon wave
           here where the sun
sets and rises
           and where the surf
pounds on the shore
           so mimicking
the passionate pant
           of our human breath

John Lyons

Reading the coffee grounds

coffee
Coffee grounds, John Lyons, photo 

Reading the coffee grounds

A fine autumn day
           with a brisk breeze
and magpies
           ten of them
playing catch me if you can
           flying under and over
the garden table and chairs
           There are dandelions in the grass
and a few late blossoms
           in the bushes—
most of the berries
           have been eaten

and I’m sitting here 
          alternately
looking out of the window and staring
           into the empty depths
of my morning coffee mug
           Nothing there now
but the dried grounds
           and I try to read the pattern
traces of light appearing
           out of a dark cloud
She loves me
           she loves me not
she loves me
           I’ll know
soon enough
           that’s for sure

John Lyons

Revised text.


Found art, at the bottom of my cup!

A nosegay for my love

posies
A nosegay, John Lyons (oil on wooden lid)

A nosegay for my love

a posy
a spray
a bunch
a bouquet

art
of the moment
a cast-off
on the lid
of a wooden box

a throwaway
dashed off
with scant attention
to detail

an action painting
an act of love
to render a thought
or rather
a feeling

an engagement
with the medium
flowers that emerge
out of nothing

ephemeral
merely to state
that love
is the part of us
that never dies

John Lyons


In an essay entitled, A process of painting, Robert Motherwell wrote : “A painting is not a picture of something in front of your eyes—a model, say, primarily. It is an attack on the medium which then comes to “mean” something.”

Ten wise virgins

ten wise virgins
Ten wise virgins, John Lyons (20 x 30, oil on canvas)

Ten wise virgins

A room with a view
           a dark room into which
light streams
           through an open window
a table laid for dinner
           silver service and fine porcelain
a room in which much human dust
           has settled

Soon host and guests will enter
           words will be moved around
chairs scraped on the floor
           there will be laughter
and few moments of silence
           amid the clink of cutlery on plates

Sometimes there is
           a definite purpose
as though the universe
           is going places
sometimes we all need
           to take a break

John Lyons

Layers of love

waters
Troubled waters, John Lyons (20 x 30 cm, oil on canvas)

Layers of love

Snow fell as they tramped 
through the empty streets
of Berlin


What was in their hearts
protected them

from the bitter cold

And as they passed hand in hand
beneath the Brandenberg Gate 
they felt invincible 

Life is often what lies beneath
a landscape in which
layers of love
have been laid to rest 

John Lyons


A child into the world

A child into the world

A failed painting
           can often be resuscitated
and that’s where the art lies :
           one has to examine the dead canvas
and imagine how one can
           breathe some sort of life into it
That’s why so many artists
           are reluctant to let their work
leave the studio
           they need to be certain
that what they have created
           will have an existence all of its own
that it will stand the test of time
           and require no explanation
or props to keep it alive
           Just as one would not want to send
one’s children out into the world
           vulnerable or defenceless
it’s an act of love
           towards one’s creation

John Lyons

The beating heart

The beating heart

Certain terms
make me smile
action painting
for example

Every painting
ever done
is the result
of a series of actions

thought
word and deed
—and painting
is a language

Robert Motherwell
a highly literate artist
wrote
that he preferred
to see
rather than read

But what could he
possibly see
without reading
the language
in which
it was written ?

Art
is feeling
the integrity of feeling
: it comes through
in the radiance
of light

John Lyons


Robert Motherwell (1915-1991) was one of the youngest of the New York School, which also included Philip Guston, Willem de Kooning, Jackson Pollock and Mark Rothko. This poem draws on a reading of The Collected Writings of Robert Motherwell, edited by Stephanie Terenzio.