New world

world view_sepia
New World, John Lyons (20 x 20 oil on canvas)

New world

Here is a new world
           created by chance
as all worlds are
           depicted on taut hide
the coloured elements
           of a rare earth
scars in the cosmos
           in which it floats
its geometric perfection
           at odds with its universe

to believe that therein
           bees and butterflies exist
and seeds and flowers
           and what when two
people come together
           is known as love

John Lyons

 

Seascape

seascape 2
Seascape, John Lyons (40 x 40 oil on canvas)

Seascape

If you appreciate the smell
           of linseed oil then yes
there is a certain fragrance
           to this canvas
that may well linger
           when we are long gone

But what have we here
           a study of sky and ocean
and a glimpse
           of the shore’s anatomy
an imagination bound
           by crude physical dimensions

all of us ultimately born
           out of the sea and the stars
our origins staring us
           daily in the face
the cycles and the tides
           foam on the shores
of the universe
           more questions than answers
a mystery to ourselves
           who want only for love

John Lyons

Andy Warhol’s snails

slow work
Andy Warhol’s snails, John Lyons (oil on snail shells)

Andy Warhol’s snails

We all like a little excitement
perhaps a night on the town

hair done so we look our best
add a little personal colour

to stand out from the crowd
We’re all looking for love

or at the least some social acceptance
None of us wants to be eaten alive

or to return crestfallen at dawn
our hopes & dreams crushed underfoot

John Lyons


Revised

The art of love

two figures_2
Love, John Lyons (40 x 40 cm, oil on canvas)

The art of love

Two figures
           drained of colour
sepia with just a hint
           of blue

Sometimes more
           is less
sometimes less
           is more

Art is evocation
           it suggests :
when it seeks to impose
           it overpowers

in that way
           art resembles
relationships
           and love

in which
           tenderness
and gentleness
           are its strengths

John Lyons

Capillaries

bloodlines 2.png
Capillaries, John Lyons (30 x 40 cm, oil on canvas)

Capillaries

A thousand choices
           but nothing random
in the distribution of blues
           and yellows and burnt umber
along with white and grey cells
           but the entire composition
irrigated by the red capillaries
           that bind the composition
together while allowing
           the light to shine through

John Lyons


Corrected

John Cage does painting

mustard wash
Mustard, John Lyons (oil on canvas)

John Cage does painting

Contemplate in silence
           a rectangular canvas
washed in mustard yellow
           there is nothing there
but the surface
           and the dimensions
and a few imperceptible
           flaws in the fabric
nothing to distract the eye
           no composition
nor any relationships
           other than with the space
crowded around
           the four sides
of this object
           of artistic intention

Make of it
           what you will
it took almost a lifetime
           to complete
Make of that
           what you will

John Lyons

 

Enigma of the imagination

two figures
Two figures, John Lyons (40 x 40 cm, oil on canvas)

Enigma of the imagination

From a blank canvas
           two ghostly figures emerge
nameless
           faceless —
we know nothing
           of where they’re coming from
know nothing
           of where they’re heading

Heaven and earth appear to be aligned
           but what is
this couple’s relationship
           and what would they say
if they had words to tell ?
           Brushed in ochre
shrouded in space
           surrounded by silence
they are an enigma
           of the imagination

John Lyons


Revised

The wheel of art

bouquet

 

The wheel of art

who made the leap
           from hunting gathering
to hand prints
           bison and antelopes
on the cave wall
           and Jackson Pollock
scouring a white canvas
           prowling back and forth
waiting to pounce
           to lunge at the surface
in stabbing motions
           to open wounds
that drip
           with colour

John Lyons