Enigma of the imagination

two figures
Two figures, John Lyons (40 x 40 cm, oil on canvas)

Enigma of the imagination

From a blank canvas
           two ghostly figures emerge
nameless
           faceless —
we know nothing
           of where they’re coming from
know nothing
           of where they’re heading

Heaven and earth appear to be aligned
           but what is
this couple’s relationship
           and what would they say
if they had words to tell ?
           Brushed in ochre
shrouded in space
           surrounded by silence
they are an enigma
           of the imagination

John Lyons


Revised

Mysterious space

Mysterious space

The vastness of it
           the silence that occupies it
and yet there’s nanospace
           the emptiness of it
the whiteness of it
           the noise that fills it
the measurement of it
           the distance between objects
present in it
           the relationships between
those who inhabit it
           the blank page or canvas
the soundless concert hall
           dancers at rest

The Pequod sailing the South Seas
           the white whale lost in it
Ahab too
           the sperm oil that illuminated
the darkness of it
           Samuel Enderby and General Wolfe
asleep in a Greenwich crypt
           our lives an interval in it
our love a moment in it
           our hearts lost in it

John Lyons

August days

August days

The fading light of August days
           dipping gradually into September
when some but not all things
           fall apart

Foxes know it
           you can see it in their eyes
as they look longingly
           at the gardens that will soon
be stripped to the bone :
           on shed roofs they laze
soaking up the last rays
           of the summer sun

There are roses in bloom
           the piecemeal beauty
of their petals still intact :
           and so gingerly 
down by the back fence
           I begin to pick blackberries
the plump succulent flesh
           occasionally bursting
under the slightest pressure
           such a delicate operation
and then a thorn
           pierces my forefinger
drawing thick globules of blood
           that instantly blend
with the stains
           from the crushed fruit

The frailty of it all
           year after year
the rise and fall of beauty :
           she had it in her eyes
in the soft smooth skin
           the graceful gestures
of her hands
           her dancer’s feet
in the breadth of her smile
           and so we pray
for the resurrection
           of the body

John Lyons


Revised from the earlier post

The wheel of art

bouquet

 

The wheel of art

who made the leap
           from hunting gathering
to hand prints
           bison and antelopes
on the cave wall
           and Jackson Pollock
scouring a white canvas
           prowling back and forth
waiting to pounce
           to lunge at the surface
in stabbing motions
           to open wounds
that drip
           with colour

John Lyons

 

Intelligence is energy

David by Michelangelo
Michelangelo’s David

Intelligence is energy

I make no claims
           other than to say
that intelligence is energy
           and it manifests itself
for better or worse
           in every realm of art

the king is a thing
           that Shakespeare moves
around a stage
           before our eyes
and in our head
           painting too
is poetry
           and poets paint
composers offer us
           their soundscapes

out of Carrara marble
           using hammer and chisel
and the energy
           of his intelligence
Michelangelo extracted
           his David which now exists
in an active universe
           eternally bent on creation

John Lyons

Memories arrested in space

tray2
Tray, John Lyons (oil on plastic)

Memories arrested in space

Paint that captures
           the shape of gestures
memories arrested in space
           sinuous as the body is curved
And he thinks too
           of the unbound energies
they expended
           and of the shapes
that their bodies made
           when they came together

the arc of a breast
           a mouth agape
the slope of a thigh
           or an angled elbow
Form and the absence of it
           light and the absence of it
colour and the absence of it
           love and the absence of it
and under a wrathful sky
           their union and the absence of it

John Lyons

Gertrude Stein – a portrait

gertrude stein
Gertrude Stein, John Lyons (oil on canvas)

Gertrude Stein – a portrait

Neatly folded napkins
           and freshly cut roses
in a cut glass vase
           a long oak table
guests to populate it :
           amid the wealth of words
silences cultivated
           in every nook and cranny

Alice and her embroidery
           Gertrude with hers
a carafe of red wine
           sparkling silverware
shining porcelain 
           At the window
heavy drapes
           to keep out the dust
and for the world
           to know its place

Sometimes always
           occasionally
loving glances
           often exchanged
time under orders
           and life
on its best behaviour :
           a dog with a name
a stern smile
           the making of history
word by word
           line by line

John Lyons


Revised

What are these words ?

What are these words ?

What are these words
           if not flesh of my mind
words woven
           into the flesh of a poem
organic utterances predicated 
           on carbon and water
fed from the earth
           fed from the sun
my years of growth
           of words accumulated
fed from the words of others
           and in other languages

What are these words
           if not word memories
words of memory
           memory of myself
and of others
           woven words
or dissipated
           blown in the wind

Words of joy and pain
           of innocence and guilt
words of love
           that I wished
would one day
           win her heart
and thus create
           a singular body
of shared words
           love at its heart

John Lyons


Revised from an earlier post

By my own hand, 2015

self-portrait
The poet, John Lyons (charcoal on paper)

By my own hand, 2015

In the process of being
           this is whom I once was
before being
           who I am now

A portrait
           by my own hand
by my own eyes
           on A4 vellum
in pen pencil
           and charcoal

this is
           the crushed ash
of whom
           I once was
will be again
           caught here
just before
           love struck

John Lyons

Snail’s pace

tray
Tray, John Lyons (oil on aluminium)

Snail’s pace

Under the cover of darkness
snails engage in erratic movement

leaving a thin trail behind them :
survival of the species demands

that they seek out new sources
of nutrition in order

to secure their line
energy to drag their shells

forward into the future
just as I leave in my wake

a haphazard dribble
of words and colours

John Lyons