Maritime matters

blood and snow
Blood and snow, John Lyons (oil on canvas)

Maritime matters

The hypnotic sound of the sea
            breaking on the shore
the hydraulic power of the waves
            that race in and appear to trip
and crash down on the shingle
            the rasp as the waters retreat
the white surf lacing the beach
            Something primeval within us
nostalgia for the ocean depths
            from which we emerged
and for a simpler form of life
            for that prime motility
that brings us to where
            we are today

The sea runs in our veins
            with all the essential salts
star warmth marine blood
            stoking the complexities
of human relations
            the come and go upon dry land
She loves me she loves me not
            another shore another sea
there is always another
            another and another

John Lyons

Venice carnival remembered

murano lemon.png
Murano glass, a hand blown lemon

Venice carnival remembered

The play of light
            and shadow
on the canal waters
            place of all ages
place of all beauty
            shops filled
with sumptuous pieces
            of Murano glass

And how the light
            travelled through
the contoured colours
            and how it rose
in your eyes
            as you examined them
and how I loved you then
            and how I love you now

John Lyons

Rough with the smooth

warp and woof
Warp and woof, John Lyons (oil on canvas)

Rough with the smooth

Love too is a work
            of the imagination
it constantly seeks
            new forms of expression
in order to remain fresh
            to keep the present alive
and not simply trade
            on the faded past

It can be brash
            and outspoken
and have real attitude
            since by its very nature
it’s gestural
            more in the manner
of a de Kooning
            or a Pollock
than a Titian
            or a Raphael

Yes I want all of you
            the sweep of your strokes
across my body
            your hair falling
into my eyes
            my face drowning
in your tears
            of laughter
your precious hand
            gripping on to mine
as we hurtle
            down the roller coaster
moving from the darkness
            into the light

 

John Lyons

Held in the memory

Held in the memory

Momentary flames
            a brief fire that flickers
in the mouth of a cave
            a time for reflection
and for expression
            Pollock’s hand prints
on the wall
            the colours mixed
with intention
            a scheme of things
in the mind
            deliberately executed

Not to leave a record
            but simply to tell
of how it is
            of how it was
that day when we walked
            through the rain
or when we parked our bikes
            and stood in the shadow
of Chartres cathedral
            and admired its beauty
Days that we will never forget
            until the end of our days
and our love held
            in the memory

John Lyons

How it goes

mood
Mood, John Lyons (oil on canvas)

How it goes

A poet works
            with eyes and ears
listening and watching for
            whatever is worthy of note
and for the silence
            that sustains it all

A poet sees and tells
            such as it is
the lie of the land
            the clocks that tick
the hand that leans
            out of the boat
to trail fingers
            in the smooth sea

A poet wipes the salt
            from his lips
before he kisses
            the love of his life
He preserves
            her beauty in lines
that will reach
            beyond
the outer edges
            of time

But a poet must not
            be betrayed :
to do so is to break
            the universe in two

John Lyons

Self-portrait

my life
Self-portrait, John Lyons (oil on canvas)

Self-portrait

And so my life evolves
            in momentary flames
of passion and of loss
            of belief and disbelief
the warm colours of love
            the frosty colours
of abandonment
            my image strung up
on the walls
            of a civilised cave

These are the true forms
            these the accurate renderings
of a somewhat chaotic existence
            captured the texture of my life
It is my breath that has filled
            this unfinished canvas
and I fully intend to paint
            myself out of every corner
that I have through my choices
            and my good
and bad decisions
            created

What does it represent
            what does it all mean
you might ask
            and I answer
everything
            every tiny detail
It is for the observer to unravel
            the intimate timeline
to arrive
            at the heart of the matter
the broken heart
            and to piece it all together

John Lyons

 

Embers

embers
Embers, John Lyons (oil on canvas)

Embers

I imagine flakes of time
            falling gently
through the universe
            the ash of moments
invisible to the naked eye
            but that the heart 
apprehends in the darkness
            that moves into the light
in the light that moves
            into the darkness

Three years of flowers
            that first flourished
then faded and then died
            The images abandoned
in the mirror along with
            the laughter and the love
What it meant
            to be together
what it means
            to be apart

John Lyons


Revised from an earlier post

Came now to peace

north america
North America, John Lyons (oil on canvas)

Came now to peace

Came now to peace
           the darkness
and the silence
           before the light
before the day broke
           Heard foxes in retreat
the first cries of the pigeons
           Heard the crows
scampering across the roof
           all this
before the local world awoke
           before the buzz of traffic
in the distance
           Peace in the darkness
and in the silence
           alone with my thoughts
before the turbulence
           of the day
nursing memories
           mindful of the blessings
I have received
           the love that came and went
but that was for a while
           worth living for

John Lyons

Fields of gold

yellow
Yellow, John Lyons (oil on canvas)

Fields of gold

I shall set this yellow canvas
           aside for a while
and wait to see
           what might grow in it
in the imagination
           Yellow the colour of
joy and energy and loyalty
           of intellect and fresh hope
of the wheat fields
           on the foothills
around Arles
           or the sunflowers
that Vincent so lovingly 
           painted with his life
the sky above him
           a chrome yellow
almost as bright
           as the sun itself

John Lyons

 

A portrait in oils

A Portrait
Portrait, John Lyons (oil on canvas)

A portrait in oils

Once in a while
           you may come
to resemble
           the portrait I painted
of your youthful face
           using principally
burnt umber
           upon titanium white
with a hint of cerulean blue
           for the eyes
and a trace of red
           for the lips set against
a deep cadmium
           yellow background

Of course it’s not you
           but merely a series of strokes
hints of what you might be
           or might were once
mineral and translucent
           or opaque and of the earth
and of the sky
           the body and soul of you
of what you are here to express
           in your thoughts
and words
           and in the flesh

It means nothing
           as it lies on canvas
and awaits
           an appreciative eye
a smouldering mirror
           alive with intent
devised with all the warmth
           of my hand and deficient
only insofar as it betrays
           the limitations of my gift

John Lyons