A passerine a chat a flycatcher a small brown bird with orange breast and a whitish belly perched within the branches of a small bush in the back garden and sang as the sun set on Doughty Street a fluting warbling song that filled the air and thrilled my heart
Life’s imponderables : by night the star-glistered sky into which we peer with wonderment tinged with awareness of our own insignificance The mere thought of infinity can be exhausting hence the need to personalize to imagine that there are other vibrant worlds inhabited by beings just like us convinced as we are that we are the defining consciousness of the universe
In a park just outside Peckham the first crocuses seen yesterday from the train a tightly packed patch of mustard-coloured leaves standing proud on the long green grass
Such are our common or garden vectors – today tomorrow and yesterday – which as our imagination hurtles into outer space become increasingly redundant : and yet anatomies obsess beauty that is in the naked eye of the beholder and symmetries that make suburban sense
Soon the daffodil will follow buds will burst and spring will be upon us : thereafter the rose and with it the beguiling thorns of love and the petalled bed upon which lovers lie late into the night gazing out through the window at the vast ancestral home where their forebears first met
Did she brush her hair or powder her nose pencil her eyes apply blush to her cheeks gloss her lips then check her teeth dab sweet fragrance behind both ears and on her wrists did she cross her heart
did she straighten her skirt adjust her blouse admire her shoes and blow a big kiss to what she saw in the glass before stepping out into the wide
wicked world ?
Did she ?
*
Did she
brush hair powder nose line eyes apply blush gloss lips check teeth dash scent behind ears both wrists cross heart
straighten skirt adjust blouse admire shoes blow kiss back to the glass and step out into the wicked wide world ?
A summer situation and love such a sensible surprise strawberries on a plate roses in a vase a table laden with welcome guests amid air that circulates lung to lung
Sweet summer palpable sensation risen temperatures and an eye calibrated for beauty : dainty black slippers and white lace A day less weary hair winnowed in the nightbreeze Moonlight streams through open windows gilds the silver spoons A stroll in the park is never an accident
Time and decay nothing lasts a single rosebud a thorn in the side nothing lasts Sentences that creak to the very end – full-stop Clutch at straws in a howling gale sooner than trap time
There in the churchyard bones gone to dust stones gone to dust names of wife and husband mother and lover and son and daughter all gone to dust the limestone cracks the letters peel nothing to be read of the mason’s craft weathered away – time reduced to rubble
Yet there in the caves walls daubed with the bright blood of berries a vivid remembrance to celebrate the hunt and the life lived for and in the moment gathered under a single roof to share their time— that which never lasts except perhaps in creation and in acts of love
A single rosebud : and a swallow swoops and is gone like François Villon
And love— love is so rare but it’s all that’s left
This fine leafmeal tossed in the air by the wild west wind will sooner or later settle into the dust the dust of all things from which all things arise
He is gone against the grain but gone albeit willingly departed leaving us to mourn his passing on this harrowed midwinter night that howls at my window with such a vengeance
He was a boy a man a husband then. . . now gone to dust to mingle with the ash of dandelion to dwell in that other place where no winds blow
See where the damselfly roosts above the thorny wetlands where the kingfishers hunt : there flows a river out of Eden
Out of Eden out of place out of time out of the unawakened earth but in our hearts always
A fading blue sky piled high with clouds but backed by a red glow a promise of days to come and down by the railway shadows gathering in the tall oaks where birds are straining their throats in evensong
I think of the dear dead days my father in the lounge listening to John McCormack on the old gramophone Just a song at twilight and the dreams that rose out of his heart that wove themselves into our lives as children the flickering gleam of the firelight and his gentle reflection caught in the gold-framed mirror his smile unabashed Sundays when he would sit at the piano and sing to my mother one of love’s sweet songs with delicate notes at his fingertips enraptured but neither sad nor weary
And as the train pulls in with the ear-piercing grind of steel on steel I note how the chorus from the trees has grown in volume as though the birds in the ensemble are quite decided that they will under no circumstances be outsung
Measure and the shape of things to come as seen in the glass the slow advance of years how time sneaks up and gets in under the skin patches of rust around the ankles a stiffness in the joints in need of a little lubrication
No the stars are not numberless each and every one as blades of grass or sparrows in the field accounted for and so too the flesh records it all the aches and pains of ageing the sedimentation the laying down of experiences year on year and the subtle changes
Ambition has had its day and left no laurels to rest upon optimism has been sorely tested but hope springs eternally as they say and so an accommodation to the realities is in order If only wisdom were par for the course what a wise world it would be
Neither the gentleness of your breath nor the softness of your skin should go unsung nor the mystery in your eyes at the low and splendid rising of the moon
Five planets perfectly aligned at daybreak should cause no greater stir than your smile your curved lips at a tangent your heart pressed against my heart
I brush your hair away from your temple and beneath my fingers feel the warm flutter of your pulse I stroke your cheek hold in my arms the flesh shaped from the flesh of stars though none ever shone more brightly than you
This sky that stretches away from the earth is our portal into the heavens whence we came and where we belong
The American poet, Cid Corman (1924-2004), a translator and founder and editor of the literary magazine Origin, was a key figure in the history of American poetry in the second half of the 20th century. Corman lived for much of his adult life in Japan and maintained his friendship with Louis Zukofsky and Lorine Niedecker, among many others, through extensive correspondence.
A prolific writer, the influence of Japanese poetry is evident throughout his work. Introducing a volume of his poetry entitled Word for Each Other (1967), Corman wrote: “Something in them, in the sounded meanings joined here, should feed something in you that merits sharing—a little life that feels beyond itself, the dying implied in every word, in every thing, in every legend man has devised, in ache in ache in ache, invoking the only judgment man is worthy of: love.”
The Kindness
the man dying loved red roses like those he grew
you looked for some everywhere in the city
and finally brought him the best carefully so
he shouldn’t know you picked them from his own garden