Face detail in earth pigments, John Lyons
That constant urge
to create—to re-present
the world around us
upon stretched cloth
that grows in the fields
daubed with silica and clay
with manganese
and hydrated iron oxide
We carry these pigments
in our bones
we who have sprung
from the very bones
of the earth
all the hardness
and the softness
of our bodies
and our eyes
devouring everything
we see
shape and colour
texture and weight
our lives a constant
interpretation
of what it means
to be and to live
and to love
John Lyons
Frank Auerbach
Portrait of the artist
Face, John Lyons (40 x 40 cm, oil on canvas)
I know this face
from somewhere
those piercing eyes
looking out from the canvas
There have been subtle shifts
since it last appeared
alterations in the tone—
the cadmium red sharpened
the yellow ochre lightened
the titanium white
slightly buffed to lower
the intensity
I think of this study
as a field or a terrain
out of which an image
emerges organically
much as though
it were alive
I like the uneven
surface of the land
the imperfections
the different shades
and tones
a face from the earth
and of the earth
dust of my dust
which once was
John Lyons
Working the land
Land, John Lyons (40 x 40 cm, oil on canvas)
Think of it thus
as a garden
as a small plot of land
the soil recently
turned in preparation
for a new crop
In the artist’s mind
the seeds may already
have been sown
Who knows what
may appear—a portrait
of a face once beloved
or a landscape remembered
with affection or
some other grand gesture
Earth colours
will be applied —
this too is the work
of sunlight
and what is born here
will live forever
John Lyons
Frank Auerbach – a sketch
Frank Auerbach – a sketch
An artist sees
and listens
and listening sees
the unseen
and vision becomes speech
and speech becomes
lines and strokes and swathes
of chalk and charcoal
delicately smudged
with the tip of the finger
turning the darkness into light
and listening all the time
to what is seen and
seeing all the time
what is heard
applying the alphabets
of sound and shape
dividing the darkness
with fragments of light
seizing the energies
of expression and posture
driven by the instinctive
desire to uncover the truthness
the emotional hardcore truth
that lies behind the mask
of careless inattention
or superficial appraisal :
more than in dialogue
with the subject
the artist teases identity
out into the open
with gentle interrogations
striving constantly to achieve
an ultimate rendering
not an essence
not a resumé
not a replica
neither a duplicate
simply a completeness
of visual presence
that stands and speaks
for itself
John Lyons
The Frank Auerbach Exhibition at Tate Britain in Pimlico, runs until 13 March 2016. Unmissable.