A love bouquet

suggestion_flowers
Love bouquet, John Lyons (oil on wood)

A love bouquet

The mere suggestion
           will suffice
when it comes
           to art
the form
           inseparable
from the content
           shapes we carry
in the memory
           things associated
with multiple purposes
           the detailing
of the expression
           of feelings
a simple bouquet
           for my love

John Lyons


Corrected text

Remembering Tralee

map of the world
Early map of the world, John Lyons (40 x 40 cm oil on canvas)

Remembering Tralee

My mother was born
           in the shadow of mountains
her old bones long since
           laid to rest
I know the place
           the house the houses
where she was a girl
           I know the school
I know the shoreline
           where she would go
in the summer to bathe
           and walk along the beach

My bones
           out of her bones
have grown old too
           but my muscles retain
their youthful vigour
           I know many things
and yet am ignorant
           of so much more

Perhaps I long to return
           to that place
in the shadow of mountains
           where calm waters
run down to the sea
           Perhaps is a word
I have used too often
           in my life perhaps

John Lyons

 

Keeping it simple

red moon
Red moon, John Lyons (oil on wood)

Keeping it simple

Simple I said
whenever you love me
it goes straight to the heart

I need all things
less than love

I want all things
less than love

material physical love
your finger brushing my lips
gently

your eyes
looking lovingly
into mine

all other purposes
are less than love

there is
no greater reason
no greater sense
than love

John Lyons

Good care of souls

city fragment.jpg
City fragment, John Lyons (oil on canvas)

Good care of souls

Good care of souls
           in the hands
of the poet
           in the words

Let us terminate
           our season in hell
and go forth
           in joy and charity

Let us dispel
           those mists
that keep us
           from seeing

what is
           before our eyes
In order to be one
           we must first separate

so as to conjoin
           in love’s singularity
A cloud
           has enveloped my days

but with a vengeance
           the sun will return
and with it spring
           with all its blossom

and blithe airs
           and you will shine
in all your inexhaustible
           beauty

John Lyons

Why would I not ?

GPS
Life script, John Lyons (20 x 20 cm, oil on canvas)

Why would I not ?

Of course I take it personally
           whether you love me or not
whether you betray me or not
           whether you fail me
or fail to understand me or not
           I bear the soul of a private man
ploughing by day the furrows
           of city streets in which squirrels
run rampant and gold is amassed
           in steely towers of greed

So I live and die for words
           for unsolicited acts of tenderness
for the beauty of light on water
           for the delicacy of moonlight
that pierces the night sky
           Of course I take our lives seriously
your life and mine : and tell me
           why would I not ?

John Lyons

 

The primeval sea

sea of colour
Sea of colour, John Lyons (40 x 40 cm, oil on canvas)

The primeval sea

The primeval sea
           awash with colour
the underbelly
           of creation
whence all life
           whence all love

See how the light
           shimmers
on the shifting surface
           restless ocean
restless life
           colours that coalesce
wave upon wave
           here where the sun
sets and rises
           and where the surf
pounds on the shore
           so mimicking
the passionate pant
           of our human breath

John Lyons

Reading the coffee grounds

coffee
Coffee grounds, John Lyons, photo 

Reading the coffee grounds

A fine autumn day
           with a brisk breeze
and magpies
           ten of them
playing catch me if you can
           flying under and over
the garden table and chairs
           There are dandelions in the grass
and a few late blossoms
           in the bushes—
most of the berries
           have been eaten

and I’m sitting here 
          alternately
looking out of the window and staring
           into the empty depths
of my morning coffee mug
           Nothing there now
but the dried grounds
           and I try to read the pattern
traces of light appearing
           out of a dark cloud
She loves me
           she loves me not
she loves me
           I’ll know
soon enough
           that’s for sure

John Lyons

Revised text.


Found art, at the bottom of my cup!

A nosegay for my love

posies
A nosegay, John Lyons (oil on wooden lid)

A nosegay for my love

a posy
a spray
a bunch
a bouquet

art
of the moment
a cast-off
on the lid
of a wooden box

a throwaway
dashed off
with scant attention
to detail

an action painting
an act of love
to render a thought
or rather
a feeling

an engagement
with the medium
flowers that emerge
out of nothing

ephemeral
merely to state
that love
is the part of us
that never dies

John Lyons


In an essay entitled, A process of painting, Robert Motherwell wrote : “A painting is not a picture of something in front of your eyes—a model, say, primarily. It is an attack on the medium which then comes to “mean” something.”

Ten wise virgins

ten wise virgins
Ten wise virgins, John Lyons (20 x 30, oil on canvas)

Ten wise virgins

A room with a view
           a dark room into which
light streams
           through an open window
a table laid for dinner
           silver service and fine porcelain
a room in which much human dust
           has settled

Soon host and guests will enter
           words will be moved around
chairs scraped on the floor
           there will be laughter
and few moments of silence
           amid the clink of cutlery on plates

Sometimes there is
           a definite purpose
as though the universe
           is going places
sometimes we all need
           to take a break

John Lyons