Small birds blue tits finches and sparrows on a frenzy of feeding devouring the orange berries so abundant on the bushes at this time of year
They come in their twos and threes their light weight barely bending the branches and they peck at the fruit as though there was no tomorrow and for them perhaps there is none
Daub on yellow cadmium, John Lyons (30 x 30 oil on canvas)
The mess of love
The under-painting was more complex more contrived had more definable colours occupied the whole of the canvas
What’s presented here is a stripped back version paint removed by the application of turpentine and a rub with a rag so that the initial gestures of the first intentions are not shrouded by excess
Here the daub is actually a disapplication to leave virtually nothing but the bare bones It’s a messy canvas because life is messy Cadmium yellow is the colour of love and love as we all know is messy too
September rain the pavements strewn with leaves a dampness that reeks of decay the dwindling light of a year winding down after a long hot summer
And yet there is a comfort in these relentless cycles all life and death in a nutshell the lush green fields the swollen rivers the long trails of birds flying south while the rest of us batten down the hatches
And she is constantly in my mind her hair the rich colour of autumn her eyes too the beauty that lies beneath the pale skin the love that makes life worth living
All from atoms the roses I brought her the champagne— she trimmed the stems of the flowers and placed them in a vase I opened the champagne and poured it into glasses
We toasted and we kissed two bodies touching and in this way peace was made sadness was banished and for a while longer she loved me
There is another Verona in which Romeo never knew Juliet where no star-crossed lovers ever met their untimely deaths a Verona devoid of duelling Montagues and Capulets and where the wooden homes have no balconies from which to issue sighs of unrequited love
Her tousled hair when she wakes the fine threads that bear her age the intersection of her beauty with the world the accumulated events of her breath and all that it takes to make a life a probe advanced into history in the making knowingly becoming who she wishes to be the flesh of her with its starwarmth like all things fabricated from universe
So I ask myself what is there not to hold dear and to love ?
Brave new world, John Lyons (20 x 20 oil on canvas)
Lights camera action
Abstract they say suggesting devoid of form or rhyme or reason as though geometry were the only truth
Time is occasions and they occur spatially there is no such thing as empty space no such thing as frontier we’re all in this together the welter of events energy and mass and the stillness of the contemplative mind
This then is my geography a battlefield an urban woodland back and forth across the ocean highs and lows a little love here and there my DNA written in the stars skin and bone of the sun
And as the wind rises I lean into the future it may be a long hard winter but I will not be cowed I carry Hector and Achilles in my blood and to date not a drop has been spilt
I was once so young I had no memories the slate was clean and there was everything to play for lights camera action
Sometimes a daughter may be thirty years old but not always as in this portrait based on a photo taken when she was eleven and even today she is no longer thirty the clock having moved but she retains that innocent gaze and she is gentle and kindness itself and she speaks her mind because she minds her truth and loves to sit at a table and share a meal with those she loves who love her back
Here is a new world created by chance as all worlds are depicted on taut hide the coloured elements of a rare earth scars in the cosmos in which it floats its geometric perfection at odds with its universe
to believe that therein bees and butterflies exist and seeds and flowers and what when two people come together is known as love